Nº 8 (2024)

An overview of the development of additive construction production from the beginning of the formation of prerequisites to the present moment and future prospects for the development of 3D construction printing in the world is given.The publications of international citation databases, including the results of research in the field of additive construction production for the period from 1972 to 2024, are considered as the basis of the study.The study is divided into several stages, the first of which is devoted to the analysis of search queries and the definition of relevant keywords.It was revealed that the most popular phrases describing the use of additive technologies in construction are “Concrete Printing” and “3D Concrete Printing”, therefore, as part of the subsequent stage of work, abstract samples were formed on their basis to analyze and summarize the results of relevant scientific research. The final stage of the study included a more detailed study of the main results of scientific works characteristic of three time intervals describing past, present and future trends in scientific activity in the subject area under consideration. The results of the study show a significant increase in interest in the technology of construction 3D printing with concrete due to the realization of the potential to increase labor productivity in construction and reduce the negative impact on the environment in comparison with traditional construction production technologies, which can become a driver of sustainable development of the construction industry.The conducted research makes it possible to conclude that there are still unresolved problems on the way of active implementation of the technology, which are constraining factors for the widespread introduction of additive construction production, in particular the issues of printing horizontal structures of floors and coatings of buildings, reinforcement of load-bearing structures printed with a 3D printer. According to the authors, the solution of these problems should be given priority in future research, along with the development of new formulations for 3D printing with concrete.

An analysis of the experience of the design and construction of objects of modern architecture, reflecting in an aesthetic image, a high -tech direction and brightness of the image. In particular, the features of 3D construction printing with a variety of approaches and purposes of using this technology in the field of architecture are considered.The purpose of the research and analysis is to bring the theory of technological capabilities, their practical application and the relevance of modern architectural solutions into design methods, on the basis of which it is possible to form general trends and directions of aesthetic images of modern architecture.The article presents an approach to the design of a residential housing facility based on the analyzed experience and selected methods of architectural design, taking into account their subsequent implementation by 3D construction printing.

Architects of the 1920–1930s acted in the context of the new communist agenda, constructing the spatial environment of the person of the future. The projects of that era realized a dialectical connection between formality (geometricity) and functionality (utilitarianism). Constructivism became the key style of this stage; he was characterized by experiments with volumes, rectangular and curvilinear shapes. House of Culture named after Ilyich, which is the focus of this study, became one of the signs of the time — the era of palaces and houses of culture, where cinemas, concerts, sports, rehearsal halls, libraries, music schools, premises for clubs and circles were located under one roof. The article presents an analysis of the volumetric-spatial solution, the functional characteristics of the building and the history of the existence of the building of the House of Culture, and also identifies the problem of the preservation and restoration of constructivist architecture. In 2020, the House of Culture named after. Ilyich received the status of an object of cultural heritage of the Russian Federation of regional significance. The analysis of the scientific context makes it possible to conclude that today in the scientific community there is an increased attention to avant-garde architecture as a striking phenomenon of Russian architecture and a change in the protective status of the House of Culture building is a positive marker of a change in attitude towards the architecture of the 1920–1930s.

A retrospective analysis of the history of the architecture of Orthodox churches in Kuban from the end of the 18th to the first half of the 19th century was carried out on specific objects of religious architecture. The historical approach allows us to consider these objects as unique elements of the architectural and urban heritage of the period under study. The special value of Orthodox churches in the concept of forming a holistic environment of urban and rural settlements is indicated. The main means of artistic expression based on volumetric planning techniques, with the help of which the compositional image of the temple is created, are noted. The presented illustrative material graphically displays the scientific content, executed on certain visual images of religious architecture structures and visually complements the text material. Great importance is given to the current issues of integrity and sustainable balance of modern buildings and structures with previously erected religious architecture objects and monuments of historical and cultural heritage.